Category: Default-EN

  • DIABA

    DIABA

    A fierce and fiery programme of creative resistance from across the Brazilian diaspora in Europe Ignited by shared concerns of a wave political ideologies from the right in both Brazil and parts of Europe, and the rising prevalence of ideologies which appear to divide rather than unite us, DIABA demonstrates some of the artistic and…

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  • Moi-même je me suis déçu

    “I can’t believe it, that’s all we talk about! In 1950, when the Chaîne Nationale invited itself to Paul Léautaud’s home for a series of “radio talks”, nobody anticipated the myth to come. It is that the writer is rare in the media, his monumental Journal is not yet known by the public. Without any…

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  • Seule.s en scène

    Seule.s en scène

    From November 27 to December 3, 2023 at the ADC Pavilion At the heart of the seule.s en scène project, I am : a woman who has been dancing for 45 years, a dance that has followed me since, a woman who has met other women who have been dancing for a long time, some…

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  • DOBRA

    Dobra is a conference-performance project that begins with the dissection of a word: Dobrar. Dobrar is a Portuguese word that can be translated into French as doubling, folding.  To double someone’s voice (in a film, in a series, in an interview). To double an actress, an actor (by substituting his presence by his double). Fold a folding table…

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  • Things That The Body Keeps Alive

    Where are our memories in the body? How do they create what we call “personality”…? How can a series of memories create habits that make us behave and move in a certain way? How do these memories live on and affect us, even if it has been years or decades since we first experienced them?…

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  • (To) come and see

    To come and see : in the popular English language, this expression evokes in a very graphic way the moment of ecstasy in sexual pleasure. (To) Come and See is now the title of Simone Truong’s latest piece. She co-signed it with four other women: Eilit Marom, Anna Massoni, Elpida Orfanidou, Adina Secretan. This completely…

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  • Monsieur Bonhomme et les Incendiaires

    “When one is even more afraid of change than of misfortune,  how to avoid misfortune!!!”  Max Frisch Mr. Bonhomme, a hair lotion manufacturer, prototype of the hypocritical middle class, bloated with egotism, becomes by cowardice, and under cover of a pseudo humanist and idealistic speech, the accomplice of the arsonists who are rampant in the…

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  • Play Strindberg

    When the Swiss-German Friedrich Dürrenmatt wrote Play Strindberg, he reinvented August Strindberg’s Dance of Death to make it spit its clownish venom. Three titans in the ring of hatred lead us into a game of liar’s poker with no way out. A bitter comedy marked by the implacable seal of a game of massacre that…

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  • Faut-il laisser les Vieux Pères manger seuls aux comptoirs des bars

    This play in the form of a family tragedy, written by Carole Thibaut, tells the story of the fatal reunion of a daughter and her abusive old father. The father, condemned by illness, comes to beg his daughter for help so that she can give him death. Will the daughter’s friend, who referees the duo…

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  • Tool#x

    Tool#x, a choreographic installation for store windows and unusual places. A creation on the semantic and visual ambiguity of the mannequin which received a prize from the Fondation de France for its specificity to favour the meeting, the exchange and the sharing with all kinds of spectators. This project was presented at the Antigel festival…

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  • SPHERES

    SPHERES – Participative artistic creation mixing painting and choreography. Creation 2016 – Commissioned by the Antigel Festival – Geneva. To participate in the common effort to build relationships in the new district of La Chapelle in Grand-Lancy, the Antigel festival 2016 associates with the Galerie de la ferme de la Chapelle and gives carte Blanche…

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  • ANTILOPES

    ʼANTILOPESʼ is a piece about surviving, thriving and imagining a possible future, facing crisis, finding solace, collaborating on solutions, expanding the world outward and giving it all away. Nagi Gianniʼs choreographic work, by conjuring up unexpected and free assemblages as starting points for a relationship to the other, transports an emancipatory desire into a universe…

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